The Machine Stops Ink-Jet My Foot: Developing Strategies for Digital Lithography

Paul Croft; Kimberly Paul Arp; Helen Baribeau; Michael  Barnes; Daniel Britton; Tom  Christison; Alastair  Clarke; Clinton Cline; Danielle Creenaune; Emily Arthur Douglas; John Driesbach; April Flanders; William  Greider; Kevin Haas; Brian  Kelly; Wayne Kimball; Judy Elizabeth Macklin; Richard Peterson; Shelia Pitt; Andrew Polk; Kathryn Polk; Kent Rush; Takahira Satoshi; Linda  Seckinger; Cerese Vaden; Melanie  Yazzi

The Machine Stops Ink-Jet My Foot: Developing Strategies for Digital Lithography

Paul Croft, Kimberly Paul Arp, Helen Baribeau, Michael Barnes, Daniel Britton, Tom Christison, Alastair Clarke, Clinton Cline, Danielle Creenaune, Emily Arthur Douglas, John Driesbach, April Flanders, William Greider, Kevin Haas, Brian Kelly, Wayne Kimball, Judy Elizabeth Macklin, Richard Peterson, Shelia Pitt, Andrew PolkKathryn Polk, Kent Rush, Takahira Satoshi, Linda Seckinger, Cerese Vaden, Melanie Yazzi

School of Art

Research output: Non-textual form › Exhibition

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Abstract

International Portfolio of Lithography presented as an elaborate box set of 25 prints by 25 artists from USA, UK and elsewhere. Inspired by the short story The Machine Stops by E.M. Forster published in 1909, this portfolio provided artists with the opportunity to explore the interface between traditional and digital processes of printmaking as they are used in lithography. Organised and curated by Andrew and Kathryn Polk at The University of Arizona in Tucson, the prints were first exhibited at The Southern Graphics Council Conference in Richmond, Virginia USA. The work has subsequently been exhibited at other venues across the USA including University of Louisiana at Lafayette during August 2008, and at The University of Arizona in Tucson in August 2009.

The Southern Graphics Council has retained one complete portfolio and another set has been presented to The School of Art Collection at Aberystwyth University

Original language	English
Place of Publication	Tucson
Publisher	University of Arizona Press
Media of output	Non-digital
Size	25
Publication status	Published - 23 Mar 2008
Event	Southern Graphics Council Conference 2008 - Richmond, United States of America Duration: 26 Mar 2008 → 29 Mar 2008

Keywords

Lithography
Digital
Collaboration

Access to Document

The Machine Stops: Ink Jet My Foot Art Museum, University of Arizona, TucsonFinal published version, 1 MB
The Machine Stops: Ink Jet My Foot Art Museum, University of Arizona, TucsonFinal published version, 991 KB

Permanent link

Persistent link

Cite this

Croft, P., Arp, K. P., Baribeau, H., Barnes, M., Britton, D., Christison, T., Clarke, A., Cline, C., Creenaune, D., Douglas, E. A., Driesbach, J., Flanders, A., Greider, W., Haas, K., Kelly, B., Kimball, W., Macklin, J. E., Peterson, R., Pitt, S., ... Yazzi, M. (2008). The Machine Stops Ink-Jet My Foot: Developing Strategies for Digital Lithography. Exhibition, University of Arizona Press. http://www.artmuseum.arizona.edu/events/event/the-machine-stops-or-inkjet-my-foot

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abstract = "International Portfolio of Lithography presented as an elaborate box set of 25 prints by 25 artists from USA, UK and elsewhere. Inspired by the short story The Machine Stops by E.M. Forster published in 1909, this portfolio provided artists with the opportunity to explore the interface between traditional and digital processes of printmaking as they are used in lithography. Organised and curated by Andrew and Kathryn Polk at The University of Arizona in Tucson, the prints were first exhibited at The Southern Graphics Council Conference in Richmond, Virginia USA. The work has subsequently been exhibited at other venues across the USA including University of Louisiana at Lafayette during August 2008, and at The University of Arizona in Tucson in August 2009.The Southern Graphics Council has retained one complete portfolio and another set has been presented to The School of Art Collection at Aberystwyth University",

keywords = "Lithography, Digital, Collaboration",

author = "Paul Croft and Arp, {Kimberly Paul} and Helen Baribeau and Michael Barnes and Daniel Britton and Tom Christison and Alastair Clarke and Clinton Cline and Danielle Creenaune and Douglas, {Emily Arthur} and John Driesbach and April Flanders and William Greider and Kevin Haas and Brian Kelly and Wayne Kimball and Macklin, {Judy Elizabeth} and Richard Peterson and Shelia Pitt and Andrew Polk and Kathryn Polk and Kent Rush and Takahira Satoshi and Linda Seckinger and Cerese Vaden and Melanie Yazzi",

note = "The Machine Stops (Inkjet My Foot! ) Organizers: Andrew Polk and Kathryn Polk University of Arizona, Tucson E.M. Forster's 1909 short story, The Machine Stops describes a humanity threatened by its complete dependence upon the technology it created. Forgetting that it was the original creator of the Machine humankind grows to deify it, to worship it, and ultimately, to follow it to its own demise.   The Machine Stops (or Inkjet My Foot!) is a limited edition print portfolio inspired by Forster's short story. Using his prescient masterpiece as a point of reference, the portfolio explores relationships between humanity and the technological world that is increasingly encompassing it. The intent is to present a collection of fine art prints contemplating the virtues of technological progress through representational, abstract and non-representational imagery. It showcases traditional hand lithography as a central medium while incorporating other such processes that accommodate the theme. The print Lexicon Series: Tarn submitted for this portfolio is a 4-run lithograph incorporating computer generated digital washes printed from plate and conventional drawing printed from stone. The print was produced as a split edition of 30 and XVIII ; Southern Graphics Council Conference 2008 ; Conference date: 26-03-2008 Through 29-03-2008",

year = "2008",

month = mar,

day = "23",

language = "English",

publisher = "University of Arizona Press",

}

Croft, P, Arp, KP, Baribeau, H, Barnes, M, Britton, D, Christison, T, Clarke, A, Cline, C, Creenaune, D, Douglas, EA, Driesbach, J, Flanders, A, Greider, W, Haas, K, Kelly, B, Kimball, W, Macklin, JE, Peterson, R, Pitt, S, Polk, A, Polk, K, Rush, K, Satoshi, T, Seckinger, L, Vaden, C & Yazzi, M, The Machine Stops Ink-Jet My Foot: Developing Strategies for Digital Lithography, 2008, Exhibition, University of Arizona Press, Tucson. <http://www.artmuseum.arizona.edu/events/event/the-machine-stops-or-inkjet-my-foot>

TY - ADVS

T1 - The Machine Stops Ink-Jet My Foot

T2 - Southern Graphics Council Conference 2008

AU - Croft, Paul

AU - Arp, Kimberly Paul

AU - Baribeau, Helen

AU - Barnes, Michael

AU - Britton, Daniel

AU - Christison, Tom

AU - Clarke, Alastair

AU - Cline, Clinton

AU - Creenaune, Danielle

AU - Douglas, Emily Arthur

AU - Driesbach, John

AU - Flanders, April

AU - Greider, William

AU - Haas, Kevin

AU - Kelly, Brian

AU - Kimball, Wayne

AU - Macklin, Judy Elizabeth

AU - Peterson, Richard

AU - Pitt, Shelia

AU - Polk, Andrew

AU - Polk, Kathryn

AU - Rush, Kent

AU - Satoshi, Takahira

AU - Seckinger, Linda

AU - Vaden, Cerese

AU - Yazzi, Melanie

N1 - The Machine Stops (Inkjet My Foot! ) Organizers: Andrew Polk and Kathryn Polk University of Arizona, Tucson E.M. Forster's 1909 short story, The Machine Stops describes a humanity threatened by its complete dependence upon the technology it created. Forgetting that it was the original creator of the Machine humankind grows to deify it, to worship it, and ultimately, to follow it to its own demise.   The Machine Stops (or Inkjet My Foot!) is a limited edition print portfolio inspired by Forster's short story. Using his prescient masterpiece as a point of reference, the portfolio explores relationships between humanity and the technological world that is increasingly encompassing it. The intent is to present a collection of fine art prints contemplating the virtues of technological progress through representational, abstract and non-representational imagery. It showcases traditional hand lithography as a central medium while incorporating other such processes that accommodate the theme. The print Lexicon Series: Tarn submitted for this portfolio is a 4-run lithograph incorporating computer generated digital washes printed from plate and conventional drawing printed from stone. The print was produced as a split edition of 30 and XVIII

PY - 2008/3/23

Y1 - 2008/3/23

N2 - International Portfolio of Lithography presented as an elaborate box set of 25 prints by 25 artists from USA, UK and elsewhere. Inspired by the short story The Machine Stops by E.M. Forster published in 1909, this portfolio provided artists with the opportunity to explore the interface between traditional and digital processes of printmaking as they are used in lithography. Organised and curated by Andrew and Kathryn Polk at The University of Arizona in Tucson, the prints were first exhibited at The Southern Graphics Council Conference in Richmond, Virginia USA. The work has subsequently been exhibited at other venues across the USA including University of Louisiana at Lafayette during August 2008, and at The University of Arizona in Tucson in August 2009.The Southern Graphics Council has retained one complete portfolio and another set has been presented to The School of Art Collection at Aberystwyth University

AB - International Portfolio of Lithography presented as an elaborate box set of 25 prints by 25 artists from USA, UK and elsewhere. Inspired by the short story The Machine Stops by E.M. Forster published in 1909, this portfolio provided artists with the opportunity to explore the interface between traditional and digital processes of printmaking as they are used in lithography. Organised and curated by Andrew and Kathryn Polk at The University of Arizona in Tucson, the prints were first exhibited at The Southern Graphics Council Conference in Richmond, Virginia USA. The work has subsequently been exhibited at other venues across the USA including University of Louisiana at Lafayette during August 2008, and at The University of Arizona in Tucson in August 2009.The Southern Graphics Council has retained one complete portfolio and another set has been presented to The School of Art Collection at Aberystwyth University

KW - Lithography

KW - Digital

KW - Collaboration

UR - http://hdl.handle.net/2160/11948

M3 - Exhibition

PB - University of Arizona Press

CY - Tucson

Y2 - 26 March 2008 through 29 March 2008

ER -

The Machine Stops Ink-Jet My Foot: Developing Strategies for Digital Lithography

Abstract

Keywords

Access to Document

Permanent link

Other files and links

Fingerprint

Space Between: Developing Digital Lithography: IMPACT 08 The Artist as Explorer International Printmaking Conference

Developing Digital Tusche Washes for Photoplate Lithography: Workshop Demonstration and Presentation for IMPACT 7 Intersections and Counterpoints, International Printmaking Conference, Monash University, Melbourne, Australia

11ai The Machine Stops: Ink Jet My Foot

Cite this

The Machine Stops Ink-Jet My Foot: Developing Strategies for Digital Lithography

Abstract

Keywords

Access to Document

Permanent link

Other files and links

Fingerprint

Research output

Space Between: Developing Digital Lithography: IMPACT 08 The Artist as Explorer International Printmaking Conference

Developing Digital Tusche Washes for Photoplate Lithography: Workshop Demonstration and Presentation for IMPACT 7 Intersections and Counterpoints, International Printmaking Conference, Monash University, Melbourne, Australia

Activities

11ai The Machine Stops: Ink Jet My Foot

Cite this