Abstract
This essay seeks to consider the relationship between the monumental brass of John Trillek1 and his episcopal seal of dignity. More broadly, using Trillek (and, to a lesser extent, the memorial and seal of another bishop of Hereford, Thomas Cantilupe) as a case-study, the following discussion will demonstrate that a consideration of sigillographic material can add substantially to our understanding and contextualization of medieval brasses, particularly in relation to their manufacture and purpose.
Original language | English |
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Article number | 1 |
Pages (from-to) | 2-14 |
Number of pages | 12 |
Journal | Transactions of the Monumental Brass Society |
Volume | 19 |
Issue number | 1 |
Publication status | Published - 2014 |