Department of Theatre, Film and Television Studies

Research output

Research output per year 1980 2005 2006 2007 2008 2009 2010 2011 2012 2013 2024

• 2283 Citations
• 305 Chapter
• 263 Article
• 152 Performance
• 151 Paper
• 374 More
  • 91 Book
  • 43 Edited book
  • 34 Digital or Visual Products
  • 27 Design
  • 24 Commissioned report
  • 20 Other contribution
  • 18 Book/Film/Article Review
  • 17 Exhibition
  • 16 Entry for encyclopedia/dictionary
  • 15 Special Issue
  • 10 Conference Proceeding (Non-Journal item)
  • 9 Other
  • 8 Foreword/postscript
  • 8 Editorial
  • 8 Book/Film/Article review
  • 6 Web publication/site
  • 5 Review Article
  • 4 Composition
  • 2 Scholarly edition
  • 1 Anthology
  • 1 Other report
  • 1 Other chapter contribution
  • 1 Abstract
  • 1 Poster
  • 1 Comment/Debate
  • 1 Letter
  • 1 Artefact
  • 1 Patent

Research output per year

Research output per year

Search results

• 2024

  Ecological Gestures as Expanded Film Practice

  Knowles, K., 31 Jan 2024.

  Research output: Contribution to conference › Paper › peer-review

• Filmic Exchanges with Tea: A Photochemical Ritual

  Knowles, K., 14 Mar 2024.

  Research output: Contribution to conference › Paper › peer-review

• What is Non-fiction Not? The Fluid Boundaries of Creative and Critical Writing: Panel presentation

  Knowles, K., 2024.

  Research output: Contribution to conference › Paper › peer-review
• 2023

  Diffractive Dramaturgies in Our Lady of Shadows

  Woycicki, P., 31 Aug 2023.

  Research output: Contribution to conference › Paper › peer-review

• Last Ditch (Anhrefn yng Nghymru): Dramatist-Director, Performer and Digital Scenographer reflect on their practice

  Woycicki, P., Rabey, D. I. & Owen, R., 06 Nov 2023.

  Research output: Contribution to conference › Paper
• 2022

  Dance/Diverseability

  Ames, M., 15 Oct 2022.

  Research output: Contribution to conference › Paper

  • Self 100%
  • Challenges 33%
  • Deficiency 33%
  • Independent 33%
  • Intellectual Impairment 33%
• 2021

  Mapping the Soul VR

  Woycicki, P. & Gough, L., 06 Sept 2021.

  Research output: Contribution to conference › Paper
• 2019

  An AR Remediation/Documentation of Our Lady of Shadows

  Woycicki, P., 16 May 2019.

  Research output: Contribution to conference › Paper

• Intermedial Dramaturgies of Flux in Our Lady of Shadows

  Woycicki, P., 05 Sept 2019.

  Research output: Contribution to conference › Paper

• Intermedial dramaturgies of flux in the AR version of Our Lady of Shadows

  Woycicki, P., 06 Apr 2019.

  Research output: Contribution to conference › Paper

• Politics of Process: Gestures of Material Understanding in Contemporary Film Practice

  Knowles, K., 01 Sept 2019.

  Research output: Contribution to conference › Paper › peer-review
• 2018

  Dialogues in Contemporary Theatre: Land of My Fathers

  Woycicki, P. & Rabey, D. I., 28 Nov 2018.

  Research output: Contribution to conference › Paper

• Documenting Our Lady of Shadows

  Woycicki, P., 07 Sept 2018.

  Research output: Contribution to conference › Paper

• Excess, Immersion and the In-between Gaze in Contemporary Expanded Film

  Knowles, K., 2018.

  Research output: Contribution to conference › Paper › peer-review
• 2017

  On Donald Trump's Hair: Theatre, politics and theatricality

  Kear, A., 30 Aug 2017.

  Research output: Contribution to conference › Paper

• Theatre against Itself: Performance, politics and the limits of theatricality

  Kear, A., 24 Sept 2017.

  Research output: Contribution to conference › Paper

• The Matter of Celluloid: Towards a New Theory of Materialist Film’

  Knowles, K., 07 Sept 2017.

  Research output: Contribution to conference › Paper › peer-review

• ‘Manufacturing 'dissent' in Thoughts that can be Danced, an intermedial Tango performance’

  Woycicki, P., 10 Sept 2017.

  Research output: Contribution to conference › Paper
• 2016

  Monologues and Silences: James Mason in the 1970s

  Thomas, S., 29 May 2016.

  Research output: Contribution to conference › Paper › peer-review

  • Films 100%
  • Stars 100%
  • Occupations 100%
  • Identity 75%
  • Silence 75%

• Recursive Game Structures as Emergent Post-Capitalist Creative Strategies

  Woycicki, P., 2016.

  Research output: Contribution to conference › Paper

  1 Citation (Scopus)

• The banal staging of George Smiley’s Cold War conflict in A Deadly Affair (1966)

  Thomas, S., 17 Jun 2016.

  Research output: Contribution to conference › Paper › peer-review

  • Films 100%
  • Novels 50%
  • Conflict 50%
  • Personality 50%
  • Armed Forces 50%

• The Scheherazade Delusion

  Woycicki, P., 15 Mar 2016.

  Research output: Contribution to conference › Paper

• Using Eye Tracking and Raiders of the Lost Ark to investigate stardom

  Thomas, S. & Qureshi, A., 28 Jun 2016.

  Research output: Contribution to conference › Paper › peer-review

  • Stars 100%
  • Familiarity 80%
  • Expectations 40%
  • Eye Tracking 40%
  • Celebrity 40%
• 2015

  Architecting the Theatre Machine

  Filmer, A., 2015.

  Research output: Contribution to conference › Paper

• Framing Encounters: Users, Occupants, Spectators, Participants

  Filmer, A., 26 Jun 2015.

  Research output: Contribution to conference › Paper

• James Mason in the 1970s: Lost histories - late-career mainstream stars working in exploitation cinema

  Thomas, S., 2015.

  Research output: Contribution to conference › Paper › peer-review

  • Occupations 100%
  • Occupational Career 50%
  • Cinema 50%
  • Stars 42%
  • Actors 21%

• Libidinal Archaeologies in Wooster Group’s Hamlet

  Woycicki, P., 10 Sept 2015.

  Research output: Contribution to conference › Paper

  • Hamlet 100%
  • Jouissance 50%
  • Digital 25%
  • Broadway 25%
  • Foregrounding 25%

• Mindful Bodies: Theory and Practice in Undergraduate Theatre Studies

  Filmer, A. & Ames, M., 10 Sept 2015.

  Research output: Contribution to conference › Paper

  • Approach 100%
  • Aberystwyth 66%
  • Action 66%
  • actor training 66%
  • Drama (Theatre) 33%

• War-rubble and the Iliad: A performer's perspective of creating epic theatre.

  Jones, F., 27 Oct 2015. 7 p.

  Research output: Contribution to conference › Paper

  • Iliad 100%
  • Physical 50%
  • Epic theatre 50%
  • Performer's Perspective 50%
  • Performer 50%
• 2014

  @johncusack: Are you the 'real' John Cusack? Online celebrity identity and shifting indicators of authenticity

  Thomas, S., 2014.

  Research output: Contribution to conference › Paper › peer-review

  • Celebrity 100%
  • Identity 80%
  • Behavior 40%
  • Consumers 40%
  • Management 40%

• Audio Obscura: Experiencing the Architecture of Audio Performance

  Filmer, A., 2014.

  Research output: Contribution to conference › Paper › peer-review

• Researching the history of television drama in Wales

  Medhurst, J., 21 Feb 2014.

  Research output: Contribution to conference › Paper › peer-review

• Re-viewing Hannibal Lecter: Changing contexts of horror performance and reception

  Thomas, S., 2014.

  Research output: Contribution to conference › Paper › peer-review

  • Performance 100%
  • Films 83%
  • Film Criticism 33%
  • Horror 33%
  • Review 33%

• Situating the 'new authenticity' of online celebrity behaviour on social media platforms within histories of star discourse

  Thomas, S., Feb 2014.

  Research output: Contribution to conference › Paper › peer-review

  • Celebrity 100%
  • Stars 50%
  • Behavior 50%
  • Twenty-First Century 16%
  • Media Platforms 16%

• Synaesthetic resonances in the intermedial soundtrack of Imitating the Dog’s Tales from the Bar of Lost Souls

  Woycicki, P., 01 Aug 2014.

  Research output: Contribution to conference › Paper

  • Esthetics 100%
  • Soundtrack 80%
  • Cinema 40%
  • Soul 40%
  • Text 20%
• 2013

  Acinematic montage in contemporary post-cinematic performance

  Woycicki, P., 2013.

  Research output: Contribution to conference › Paper

• Analogue Matters: Mapping Artist-Run Film Labs in Europe

  Knowles, K., 2013.

  Research output: Contribution to conference › Paper › peer-review

• Block Universes in Imitating the Dog’s Kellerman

  Woycicki, P., 2013.

  Research output: Contribution to conference › Paper

• Materiality and Reverberation: Sensory immersion in Coriolan/us.

  Filmer, A., 2013.

  Research output: Contribution to conference › Paper › peer-review

• On the Move: The Performance of Running

  Filmer, A., 2013.

  Research output: Contribution to conference › Paper › peer-review

• Pedipulating footage

  Woycicki, P., 2013.

  Research output: Contribution to conference › Paper
• 2012

  Bodily Inscriptions in Contemporary Experimental Cinema: An Art of Resistance

  Knowles, K., 2012.

  Research output: Contribution to conference › Paper › peer-review

• It’s a Ghost!: The Uncanny in Welsh Rural Identity

  Ames, M., 2012.

  Research output: Contribution to conference › Paper › peer-review

• "Like a party Political Broadcast for You-Know-Who": James Bond in the 1980s

  Jones, S., May 2012.

  Research output: Contribution to conference › Paper › peer-review

• Navigating the Site Map: From Analogue to Digital Space and back again

  Ritchie, L., 2012.

  Research output: Contribution to conference › Paper › peer-review

• Purposeful assemblage: Practicing location in National Theatre Wales

  Filmer, A., 2012.

  Research output: Contribution to conference › Paper › peer-review

• Scene-stealers: the star status of Hollywood character actors

  Thomas, S., Jul 2012.

  Research output: Contribution to conference › Paper › peer-review

• Staging Spaces

  Banham, S., 2012.

  Research output: Contribution to conference › Paper › peer-review

• The physical backstage of cybernetic theatre

  Woycicki, P., 2012.

  Research output: Contribution to conference › Paper

• Time and Space(s) of Projection: Experimental Film Between the Cinema and the Gallery

  Knowles, K., 2012.

  Research output: Contribution to conference › Paper › peer-review